Photo Spots

Where to find landmark photo spots for dramatic cliff silhouettes near hillside durness co

Where to find landmark photo spots for dramatic cliff silhouettes near hillside durness co

I chase silhouettes. There’s something about a human shape or a jagged cliff cut stark against a soft sunrise or a stormy sky that makes a photograph feel like a story. Around Durness, the light and coastline conspire to create dramatic cliff silhouettes that change mood by the minute—and I’ve spent years finding the spots that reliably deliver those moments. Below I’ve collected the places I return to, how to reach them, and the camera and safety tips that help you come away with keepers.

Sango Bay headland — clean lines and wide horizons

Sango Bay is often my first stop when I’m after clean cliff silhouettes with lots of negative space. The headland to the south of the main beach offers wide sea vistas and a series of stepped cliffs that look fantastic at sunrise and in late afternoon backlight.

Access: Park at the small car park by Sango Sands (watch the signage). There’s a clear coastal path along the dunes, then a steeper track up to the headland. Allow 15–25 minutes on foot.

Why I like it: The cliffs here are relatively low but sculpted, which makes them read well as a silhouette even with a wide-angle lens. On calm days the water becomes a mirror that amplifies the shapes.

Photo tips:

  • Use a wide-angle lens (16–35mm) to include the seascape and foreground textures, or a 70–200mm to compress the layers for a more abstract silhouette.
  • Shoot at golden hour to get the warm rim light on cliff edges, or at blue hour for deeper tonal contrast.
  • Include a person or a croft fence in the foreground to give scale—silhouettes read stronger with a human reference.
  • Balnakeil Beach cliffs — isolated stacks and moody backdrops

    Balnakeil’s northern end has dramatic sandstone cliffs and small stacks that separate the beach from the open sea. I love this spot for stormy-day silhouettes—the clouds, spray and textured rock make every frame feel cinematic.

    Access: Walk north along the sand from the main Balnakeil car park. The cliffs are visible from the path and several informal descent points give you different angles. Be careful: some of the approaches are steep and unstable.

    Why I like it: The contrast between the smooth beach and the rough cliff faces makes for strong black-and-white images. In winter, the light can be low and horizontal which accentuates the silhouette.

    Photo tips:

  • Try high-contrast black-and-white conversions for a timeless feel.
  • Use a polariser to cut glare on wet rock and increase sky contrast, or a ND filter for long exposures to blur waves into a soft bed beneath the cliffs.
  • Clachtoll point (towards the Sutherland coast) — elevated cliff silhouettes

    Clachtoll, a short drive from Durness, is one of my go-to spots when I want higher cliffs and a sense of exposure. The viewpoint above the bay gives you sweeping bends of coastline and distant stacks that silhouette beautifully against a backlit sky.

    Access: There’s a small viewpoint by the road and a grassy path leading down towards the headland. Allow 10–20 minutes to reach the best vantage points.

    Why I like it: The height lets the sea fall away from the cliff edge in layers. It’s easy to create compositions that include foreground grasses, the cliff edge and distant stacks for depth.

    Photo tips:

  • Bring a tripod for low-light shots; the wind can be strong so a sturdy tripod and a remote shutter or timer help.
  • Consider bracketing exposures for HDR if the sky is bright and you want to pull detail from the cliff faces without losing the silhouette effect.
  • Faraid Head and Durness headland — classic profiles near town

    Close to Durness village, Faraid Head and the adjacent headland are perfect when you want a classic “cliff-profile” against open sea. I often photograph here for editorial work because the shapes are instantly recognisable and accessible.

    Access: Short walks from the Durness car parks; paths are well-trodden though occasionally boggy—wear waterproof boots.

    Why I like it: Easy access means you can work the light over multiple hours. The headlands also give options for backlit portraits or stark landscape silhouettes.

    Photo tips:

  • Shoot a series during a single session—start at golden hour and stay through blue hour to capture different moods and tones.
  • If you want a dramatic rim light on a subject, place them slightly in front of the cliff edge and expose for the sky to render them as a dark shape against the glow.
  • Gear and settings I use on the clifftops

    Over the years I’ve pared my kit down to what works in the Highlands—light, weatherproof, and versatile:

  • Camera body: a weather-sealed mirrorless or DSLR (I typically use a mirrorless kit for the weight savings).
  • Lenses: 16–35mm, 24–70mm and 70–200mm. The wide-to-tele range covers most compositions without changing position in wind or rain.
  • Tripod: carbon-fibre, sturdy enough to stand up to coastal gusts. I always bring a weight to hang from the centre column (my rucksack) for extra stability.
  • Filters: polariser, ND (6-stop or 10-stop) and graduated ND for bright skies.
  • Other: remote shutter, spare batteries (cold drains them fast), rain cover for camera and a microfibre cloth.
  • Safety and respect for the landscape

    Cliff photography is as much about situational awareness as it is about composition. I’ve learned to treat the edge with respect—many of the locations here have soft, crumbly ground and hidden undercuts. A few rules I always follow:

  • Keep back from the edge—use a telephoto if you need a closer look rather than tempting fate.
  • Tell someone where you’re going and roughly when you’ll be back if you’re heading to remote headlands alone.
  • Check tides and weather—coastal fog and sudden gales change visibility and footing quickly. The Met Office and local ranger updates are reliable.
  • Leave no trace—sticking to paths protects nesting birds and fragile vegetation. If you find access signs or private land, respect them.
  • Compositional ideas to try

    When you’re on the cliff, look for contrasts and layers. Here are compositions I come back to again and again:

  • Silhouette + foreground texture: low angle that includes grasses or rock in silhouette against the sky.
  • Human figure on the edge: place the subject off-centre and expose for the sky to create a small, dramatic silhouette.
  • Stack repetition: use a longer lens to compress repeated stacks into a graphic row of shapes.
  • Reflections: after calm evenings check rock pools—sometimes you can double the silhouette with a perfect reflection.
  • If you want specific coordinates, routes or a suggested golden-hour schedule for any of these spots, I’m happy to plan a short itinerary for your visit. I map my favourites on the Hillside Durness Co site and update them with recent access notes—see the Photo Spots section at https://www.hillside-durness.co.uk for maps and my latest route updates.

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